Tag Archives: fiction

I Turned It Over

Last time, I wrote about leaving a little room to hear someone else.

At my first estate sale, I wondered whether an object might have something to say, too.

Before Charlotte and I got out of the car, I prayed:

“God, let my life be for the highest good of all.”

I also asked to find the object that wanted to find me

We joined the line in the heat. I had worn long sleeves. Apparently, my spiritual preparation had exceeded my practical preparation.

Someone mentioned the expensive dresses inside. A monarch flew past us, and for a moment Charlotte and I had something else to look at.

An estate sale is a strange way to meet someone. You walk through rooms full of things they chose to keep, with so little of the story that made them worth keeping.

I picked up a vase. It was pretty. I tried to want it.

Then I put it back.

I could admire something and leave it where it was. This felt like useful information to acquire before entering another room full of things for sale.

Behind a dusty lawn mower, beautiful cursive caught my eye.

Someone had written on the back of a frame.

I picked it up and wiped away the dust. A message from one sister to another.

Someone had held this same object and thought of someone she loved.

I stood there holding it, too.

Charlotte suggested I turn it around.

On the front:

You are a daughter of the King.
You are a bright and beautiful light.
Shine on.

I had asked for something to speak to me. Now I was reading words that had never been written for me, wondering how they had managed to reach me anyway.

I bought the frame.

Also a bin of hangers and pink scrubs. The experience remained committed to being an estate sale.

The frame came home with me. I keep thinking about the moment I turned it over.

How much I would have missed if I had only looked at the front.

❤

The Space Between Hugs

Last time, I wrote about the eye. About the strange way we find more of what we are looking for.

This time, I want to tell you what I heard.

“Aww.”

It came from my baby brother, Ahad, who was sitting on the floor watching his son hug our dad. Our parents were tired. Ayaan did not seem concerned with that. He went over and wrapped himself around them, one at a time, and they lit up.

I was witnessing all of this from the massage chair. Obviously. Priorities.

From there, I saw Ahad reach up and tug on his wife’s shirt. Liz turned toward them, and I got to watch her see what Ahad had seen: their little boy hugging his grandfather. It was such a small invitation—”look”—but I got to see the invitation, too. Ayaan in our dad’s arms. Ahad on the floor, wanting Liz beside him in the moment. Our parents receiving this little person who had made them grandparents.

There was so much love in the room that nobody had to announce it. Although Ahad did provide the “aww.”

Recently, I heard about ma, the Japanese idea of space or interval between things. I keep thinking of the space between one person noticing and another person turning to look. Between a sound and the ear that catches it. If I had filled that moment with my own words, would I have heard my brother?

Perhaps listening is a way of leaving room for a moment to become larger than the part of it I first saw.

Later, Ayaan began a second round of hugs. He went from one person to the next with the solemn authority of a tiny tyrant. I watched him coming toward me and had a sudden, ridiculous fear that he would skip me. So I reached out and hugged him as he cautiously walked past.

Fair enough, I thought. I got one.

Then I stopped keeping track. I was laughing with my parents when I felt his head rest on my lap. He had come back on his own.

I got the hug over and over again. In my parents’ faces. In Ahad’s small “aww.” In the tug on Liz’s shirt. In the weight of Ayaan’s head against me when I was busy being there.

I may also have gotten whatever germs he has been carrying around with absolutely no regard for my immune system. The tiny tyrant is generous like that.

The eye finds what it looks for. Maybe the ear teaches us to leave a little room. To hear someone say “aww” and turn toward what they saw. To let a moment come closer without chasing it down.

In art, they may call it negative space. I am beginning to suspect that negative is a description of where it sits, not what it holds.

That day, it held all of us.

❤

Mush With Glitter

In Iceland, I asked life to happen without trying to curate the form.

Apparently, life heard me.

I did not realize the form it planned to stop curating was mine.

Rude.

Zero bedside manner.

Also–

Did you know that, before a caterpillar becomes a butterfly, it nearly dissolves?

Not metaphorically.

I mean, it becomes soup.

Technically, not every part of the caterpillar liquefies. Some structures remain while much of its larval tissue breaks down.

But “partially intact soup” does not make me feel significantly better.

I learned this while watching a woman explain metamorphosis to Mel Robbins.

“When you’re going through a very hard time,” she began, “one thing that’s very helpful–”

Debatable.

She explained that the caterpillar enters its cocoon and becomes mush.

“Like evaporates?” Mel asked. “Like literally?”

“Like literally.”

“That’s disgusting.”

Thank you, Mel.

This was apparently news to her, too. She had always imagined that the caterpillar simply grew wings out of its existing body.

Honestly, same.

That is more or less how the metaphor has always been presented to us:

Caterpillar → Cocoon → Butterfly

So neat.
So directional.
So graceful.

There are plenty of phrases meant to capture the unpleasant middle:

“It’s always darkest before the dawn.”

“The breakdown comes before the breakthrough.”

“Sometimes things have to fall apart so better things can fall together.”

“Trust the process.”

But I find it slightly mischievous that one of our most beloved metaphors for transformation conveniently left out the part where the caterpillar loses its entire recognizable shape.

Nobody mentioned the soup.

The entire ungraceful part was left for me to discover years later.


I’ve been thinking about my life recently–and about how, right before a transformation, the shape of the life we built can begin to dissolve.

Everything liquefies.

Mush.

Not attractive.
Not directional.

Just…there.

I wonder if this happens to other people, too.

If, right before we become something we have never been, we have to spend some time being nothing we recognize.

Being mush is scary.

From inside the cocoon, there is no butterfly yet.

There is only the loss of the caterpillar.

And yet, inside the caterpillar are clusters of cells that were there before it ever entered the cocoon.

Imaginal cells.

They are literally called imaginal cells.

Imagine that.

More precisely, scientists refer to imaginal discs or imaginal primordia–clusters of cells involved in forming the adult insect.

As much of the caterpillar’s old tissue breaks down, these cells begin developing into structures belonging to the butterfly.

Wings.
Legs.
Eyes.

All the pieces of a butterfly, apparently just hanging out inside a caterpillar.

Which feels a little unhinged.

The woman told Mel that these cells carry the roadmap–the blueprint–for becoming a butterfly.

Then she started talking about letting go.

Sigh.

About allowing yourself to be where you are.

I began to regret transcribing the conversation.

I do not enjoy discovering that a metaphor may be relevant to my life, especially when the metaphor requires me to:

  • surrender;
  • become soup;
  • and trust microscopic cells with an inspirational name.

But one thing she said stayed with me:

The story overlay is different.

Maybe the story is not:

“I am being completely demolished.”

Maybe it is:

“I am in a state of transformation.”

The experience might feel exactly the same from inside the cocoon.

But the story changes what we believe is happening.


And then, while writing this, I found an old video of myself.

The Universe, apparently, has lost all regard for subtlety.

The woman in the video had a crown on her head and a purpose she could explain.

She talked for fourteen uninterrupted minutes about:

  • loving the world;
  • changing one life;
  • and coming back softer.

She seemed to know who she was.

Bless.

A few months ago, I might have watched that video and built a case for myself.

Look at her.

Look at everything she survived.

Look at everything she accomplished.

Look at all the evidence that she mattered.

I don’t want to do that today.

I don’t want to turn my former selves into exhibits presented in defense of my existence.

I don’t want to prove that the mush was once impressive.

Because I don’t think the blueprint has ever been for a particular version of my life.

It wasn’t directing me toward a crown. Or a classroom. Or a book. Or a butterfly.

Those were forms.

Caterpillar.
Cocoon.
Butterfly.

Random alligator that no one asked for.

The form keeps changing.

But I have a feeling that, underneath every version of me, the blueprint has always been orienting me toward the same thing.

Love.

As a child, I said I wanted to love the whole world.

As a teacher, I wanted one child to know they mattered.

In a crown, I took it off and placed it on somebody else’s head.

And now, as mush, I am beginning to wonder whether I need a recognizable shape at all to keep moving in the same direction.

Maybe the imaginal cells do not carry an image of what I am supposed to look like.

Maybe they carry an orientation.

Maybe I don’t need to know whether I am becoming a butterfly, a moth, or some deeply concerning winged creature that immediately flies into a porch light.

For once, I don’t want transformation to become another assignment.

I don’t want to rush out of the mush.

I don’t want to demand that the new form introduce herself before she is ready.

I just want to be…mush.

Maybe with glitter.

The imaginal cells can do whatever they are doing.

The form can change.

The blueprint will keep pointing in the same direction.

Love.

That way leads Home.

❤